thirty years of design imagery

Author: RitaSue Siegel

Publisher: McGraw-Hill Companies


Category: Commercial art

Page: 141

View: 8816

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Author: N.A

Publisher: Visual Reference Pub Incorporated

ISBN: 9781584710769

Category: Design

Page: 176

View: 4649

"The best of graphic design, the power of communications, and the remarkably broad range of projects, clients and venues that creative professionals touch is showcased in American Graphic Design Awards No. 4." "Documented with over 750 full-color photographs are the ultimate in top graphic design efforts chosen from entries to Graphic Design: usa magazine's annual awards program." "All aspects of graphic design are presented, conveniently grouped by category: annual reports, announcements/cards, brochures/collateral, direct mail, editorial design, environmental design, identity design, internet design, motion graphics, packaging, P-O-P/signs/displays, posters, public service/pro bono, sales promotion, and self promotion."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
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Midcentury American Graphic Design

Author: Steven Heller,Greg D'Onofrio

Publisher: Abrams

ISBN: 168335012X

Category: Design

Page: 256

View: 1380

In The Moderns, we meet the men and women who invented and shaped Midcentury Modern graphic design in America. The book is made up of generously illustrated profiles, many based on interviews, of more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity. Some were émigrés from Europe; others were homegrown—all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.
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Author: David E. Carter,Suzanna MW Stephens

Publisher: Harper Collins

ISBN: 0061836893

Category: Design

Page: 336

View: 3094

In addition to the 20 categories the American Corporate Identity Series has traditionally presented, the new book will now include the best of the following design categories: Advertising (print - magazine ads, etc.), Advertising (Web), Billboards, Direct Mail, Posters, Publication Design, Typography, Logos, Retail Environments The new categories are in addition to the corporate identity categories that have made this annual a success: Complete Corporate Identity Programs, Packaging, Tags, Bags, Labels, & Boxes, Business Cards, Stationery, Announcements, Cards & Invitations, Promotions, Wearables, Menus, Brochures, Annual Reports, Calendars, CDs, Web sites, Signage & Environmental Graphics, Trade Show Displays, Green/Sustainable Designs, Corporate Identity Manuals, Trademarks & Logos, Student Work Several hundred creative design firms have work included in American Advertising and Design 25, ranging from the well known to the up-and-coming. Many trendsetting styles have first appeared in this series since its inception, making this book the must-have reference for every designer′s book shelf.
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Author: Inc Visual Reference Publicat

Publisher: N.A


Category: American Graphic Design Awards

Page: N.A

View: 8084

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Author: Felipe Taborda,Julius Wiedemann

Publisher: Taschen America Llc

ISBN: 9783822840351

Category: Design

Page: 543

View: 5793

Les éditeurs : Après avoir étudié le graphisme dans son Brésil natal, Felipe Taborda a passé de nombreuses années à New York et à Londres où il a travaillé avec des graphistes de grand renom, notamment Milton Glaser. Il a participé à d'importants projets de graphisme dans la région, et se fait souvent le porte-parole et le défenseur de la culture latine aux quatre coins du monde. Ses œuvres ont été exposées dans plus de 50 pays. II enseigne et dirige son cabinet de graphisme à Rio de Janeiro, au Brésil
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a guide to the literature

Author: Ellen Mazur Thomson,American Institute of Graphic Arts

Publisher: Greenwood Pub Group


Category: Art

Page: 282

View: 5942

Graphic design is broadly interpreted in this annotated topical bibliography, covering both scholarly and applied literature focusing on graphics printed commercially for mass consumption in the United States from colonial times to the present. Materials extend from historical studies of design to textbooks and manuals of professional practice to theoretical works relating to design drawn from disciplines such as psychology and communication theory. The 1100 entries include reference sources, books, periodical articles, catalogs, films, and electronic data. Among the topics covered are general reference, design theory and history, education and career guides, professional practice, production and layout, typography, calligraphy, color reproduction, caricature, and photo illustrations as well as applications in advertising, publication design, corporate identity programs, information graphics, package design, posters and signs. Literature on computer technology as used in desktop publishing and computer graphics is also included. Appendixes provide annotated listings of almost 200 relevant annuals and serials as well as a directory of associations and organizations in the field. Access to titles, authors, and a finer breakdown of subjects is facilitated by thorough indexing. This work should be a valuable resource for professional designers, scholars and students of design, and librarians interested in collection development.
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Author: Graphic Design,Various

Publisher: Visual Reference Pub Incorporated

ISBN: 9781584710608

Category: Art

Page: 171

View: 7495

Here's an array of over 700 exceptional, award-winning examples of the best in graphic design, demonstrating the diverse projects, clients, and venues that creative professionals touch.
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A New History, Third Edition

Author: Stephen J. Eskilson

Publisher: N.A

ISBN: 0300233280


Page: 472

View: 3439

A classic and indispensable account of graphic design history from the Industrial Revolution to the present Now in its third edition, this acclaimed survey explores the evolution of graphic design from the 19th century to the present day. Following an exploration of design's prehistory in ancient civilizations through the Industrial Revolution, author Stephen J. Eskilson argues that modern design as we know it grew out of the influence of Victorian-age reformers. He traces the emergence of modernist design styles in the early 20th century, examining the wartime politicization of regional styles. Richly contextualized chapters chronicle the history of the Bauhaus and the rise of the International Style in the 1950s and '60s, and the postmodern movement of the 1970s and '80s. Contemporary considerations bring the third edition up to date, with discussions of app design, social media, emojis, big data visualization, and the use of animated graphics in film and television. The contemporary phenomenon of the citizen designer, professionals who address societal issues either through or in addition to their commercial work, is also addressed, highlighting protagonists like Bruce Mau and the Center for Urban Pedagogy. This edition also features 45 additional images, an expanded introduction and epilogue, and revised text throughout. A newly redesigned interior reinforces the fresh contents of this now-classic volume.
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Author: Graphic Design USA.

Publisher: Visual Reference Pub Incorporated

ISBN: 9781584710288

Category: Design

Page: 176

View: 8118

This extraordinary guide documents over 750 exciting examples of the ultimate in design excellence! Culled from thousands of entries to Graphic Design: USA's award competition, these unique projects cover all aspects of graphic design, including advertising, books, catalogs, letterhead, posters, and Internet. This is the definitive source of cutting-edge ideas for marketing, art, and advertising professionals. Graphic Design: USA has published this monthly magazine geared to the graphic arts industry for over 30 years.
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Inspiration von 50 Meistern ihres Fachs

Author: Steven Heller,Gail Anderson

Publisher: Stiebner Verlag GmbH

ISBN: 3830714351

Category: Architecture

Page: 128

View: 2409

Gutes Grafikdesign basiert neben eigenen Ideen und Kreativität auf Schlüsselelementen, die durchaus erlernt und trainiert werden können. Hierfür analysieren Steven Heller und Gail Anderson herausragende Arbeiten der weltweit renommiertesten Gestalter mit: Von Michael Bierut, Jan Tschichold, Anton Stankowski, Neville Brody und Jessica Hische über Fons Hickmann, Paul Rand und Stefan Sagmeister bis hin zu Seymour Chwast, Otl Aicher, Paul Sahre und Christopher Niemann – erstklassige Projekte von fünfzig Kreativen werden hinsichtlich Kreativität und Techniken beleuchtet. Wie lassen sich Informationen klarer visualisieren? Wie können Lösungen emotional aufgeladen werden? Schließlich bringen die Autoren Handwerk und Konzeption zusammen, erklären, wie sich die Form auf unterschiedliche Art und Weise um den Content schmiegen kann – humorvoll, typografisch oder aber mit dem Spiel von Perspektiven. Last, but not least widmet sich ein ausführliches Kapitel dem Storytelling. Ein umfassendes Arbeitsbuch also, das gerade Newcomer bestens durch ihre Ausbildung begleiten wird.
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Graphic Design 1920-1960

Author: R. Roger Remington,Lisa Bodenstedt

Publisher: Yale University Press

ISBN: 9780300098167

Category: Art

Page: 192

View: 2234

Presents an account of a key period in American graphic design as it manifested itself in various media, covering major historical influences and significant works.
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Trailblazer of American Graphic Design

Author: R. Roger Remington,Lester Beall

Publisher: W. W. Norton & Company

ISBN: 9780393730029

Category: Design

Page: 144

View: 8202

This text documents the work of Lester Beall, whose graphic design projects included advertising, product styling, packaging, exhibits, murals, posters, books and magazines. Beall was posthumously awarded the 1993 Lifetime Achievement Award by the American
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Author: Burton Raffel,Ellen Mazur Thomson

Publisher: Yale University Press

ISBN: 9780300068351

Category: Art

Page: 220

View: 1561

In this book, Ellen Mazur Thomson examines for the first time the early development of the graphic design profession. It has been thought that graphic design emerged as a profession only when European modernism arrived in America in the 1930s, yet Thomson shows that the practice of graphic design began much earlier. Shortly after the Civil War, when the mechanization of printing and reproduction technology transformed mass communication, new design practices emerged. Thomson investigates the development of these practices from 1870 to 1920, a time when designers came to recognize common interests and create for themselves a professional identity. What did the earliest designers do, and how did they learn to do it? What did they call themselves? How did they organize themselves and their work? Drawing on an array of original period documents, the author explores design activities in the printing, typefounding, advertising, and publishing industries. She considers the role of labor unions, advertising agencies, schools of art and design, and professional associations; the writings and ideas of Henry Lewis Johnson and William Addison Dwiggins; and the impact of the values of the Aesthetic Movement and the Arts and Crafts Movement.
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Reproduction and Representation Since 1800

Author: Paul Jobling,David Crowley

Publisher: Manchester University Press

ISBN: 9780719044670

Category: Design

Page: 296

View: 3229

This critical survey of the trends and key issues involved in graphic design over the last 200 years provides an introduction to this ever-changing subject. The international development of magazine, advertising and poster design is traced within a chronological framework from the illustrated journalism of the 19th century, to graphic images produced by celebrated artists such as Daumier and Toulouse Lautrec, to late-20th century alternative practices: pop, sub and counter-cultural graphics and the well-known work of Neville Brody. In the process of examining the relationship between word and image in the public domain, the authors cover issues of gender, class, race, hegemony and incorporation.
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An Anthology

Author: Dennis P. Doordan

Publisher: MIT Press

ISBN: 9780262540766

Category: Art

Page: 274

View: 7179

his anthology compiled from volumes 3-10 of Design Issues, includes material from areas seldom discussed in existing surveys and will facilitate the general discourse within the design community on a wide range of conceptual and methodological issues of contemporary design history. Design history has emerged in recent years as a significant field of scholarly research and critical reflection. With their interest in the conceptualization, production, and consumption of objects (large and small, unique or multiple, anonymous or signed) and environments (ephemeral or enduring, public or private), design historians investigate the multiple ways in which intentionally produced objects, environments, and experiences both shape and reflect their historical moments. This anthology compiled from volumes 3-10 of Design Issues, includes material from areas seldom discussed in existing surveys and will facilitate the general discourse within the design community on a wide range of conceptual and methodological issues of contemporary design history. Individual essays investigate various aspects of design in the modern era. They provide fresh insights on familiar figures such as Harley Earl and Norman Bel Geddes and shed new light on neglected aspects of design history such as the history of women in early American graphic design or the history of modern design in China. The essays are grouped in three broad categories: Graphic Design, Design in the American Corporate Milieu, and Design in the Context of National Experiences. Contributors David Brett, Bradford R. Collins, Dennis P. Doordan, David Gartman, Gyorgy Haiman, Larry D. Luchmansingh, Roland Marchand, Enric Satué, Mitchell Schwarzer, Paul Shaw, Svetlana Sylvestrova, Ellen Mazur Thomson, Matthew Turner, John Turpin, Shou Zhi Wang. A Design Issues Reader
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