Commercialization and Censorship in Chinese Cinema after 1989

Author: Rui Zhang

Publisher: Hong Kong University Press

ISBN: 9622098851

Category: Social Science

Page: 204

View: 7794

Beginning first as a case study of Feng Xiaogang, this book explores Chinese film history since the early 1990s in terms of changes of the Communist Party's film policy, industry reforms, the official promotion of Main Melody films and the emergence and growth of popular cinema. The image of Feng that will emerge in this book is of a filmmaker working under political and economic pressures in a post-socialist state while still striving to create works with a personal socio-political agenda. In keeping with this reality, this book approaches Feng as a special kind of film auteur whose works must be interpreted with attention to the specific social and political context of contemporary China. The book will be a useful reference tool for students and scholars in the fields of Chinese studies, Chinese film history and film studies. It could also be used as textbook for classes about Asian cinema, international cinema and Chinese culture/film studies. The extensive use of data about the Chinese film market, and elaborate analysis of the situation of Chinese film industry make this book a valuable volume for classroom and personal use.
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Critical Analysis of Chinese Film and Television

Author: W. Ho

Publisher: Springer

ISBN: 1137514701

Category: Social Science

Page: 227

View: 9874

This unique book investigates the tug-of-war between the free market economy and authoritative state regulation in Chinese culture after 1989. Contextualizing close textual readings of cinematic and television texts, both officially sanctioned and independently made, Wing Shan Ho illuminates the complex process in which cultural producers and consumers negotiate with both the state and the market in articulating new forms of subjectivity. Ho examines the types of Chinese subjects that the state applauds and aggrandizes in contrast to those that it condemns and attempts to eliminate. Her focus on the socialist spirit exposes inherent contradictions in the current Chinese project of nation-building. This comparative study shines a harsh light on these cultural products and on much more: the confluence between commerce and politics and popular culture, the interaction between state and individuals in popular culture, and the complexity of governmentality in an era of globalization.
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Author: Jeremy A. Murray,Kathleen M. Nadeau

Publisher: ABC-CLIO

ISBN: 1440839913

Category: Social Science

Page: 444

View: 4228

This ready reference is a comprehensive guide to pop culture in Asia and Oceania, including topics such as top Korean singers, Thailand's sports heroes, and Japanese fashion. • Supports the National Geography Standards by examining cultural mosaics and the globalization of cultural change • Connects popular culture to many disciplines, including anthropology, history, literature, film studies, political science, and sociology • Allows for cross-cultural comparisons between pop culture in the United States and Asia • Focuses on East Asia and South Asia, including China, Japan, Korea, India, the Philippines, Thailand, Vietnam, and Pakistan, among other countries • Features a detailed introduction with important contextual information about pop culture in Asia and an extensive chronology
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Author: Xiaobing Tang

Publisher: Cambridge University Press

ISBN: 1107084393

Category: Art

Page: 287

View: 6460

Explores China's rich visual culture from the founding of the People's Republic of China in 1949 to the present day.
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Author: Song Hwee Lim,Julian Ward

Publisher: Bloomsbury Publishing

ISBN: 1844575802

Category: Performing Arts

Page: 232

View: 6690

The Chinese Cinema Book provides an essential guide to the cinemas of the People's Republic of China, Hong Kong, Taiwan and the Chinese diaspora, from early cinema to the present day. With contributions from leading international scholars, the book is structured around five thematic sections: Territories, Trajectories, Historiographies; Early Cinema to 1949; The Forgotten Period: 1949–80; The New Waves; and Stars, Auteurs and Genres. This important collection addresses issues of film production and exhibition and places Chinese cinema in its national and transnational contexts. Individual chapters examine major film movements such as the Shanghai cinema of the 1930s, Fifth Generation film-makers and the Hong Kong New Wave, as well as key issues such as stars and auteurs. The book will be an invaluable resource for students and scholars, as well as for anyone wanting to deepen their understanding of the cinemas of Greater China.
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Author: Shuyu Kong

Publisher: Routledge

ISBN: 1317963121

Category: Social Science

Page: 154

View: 503

Since the early 1990s the media and cultural fields in China have become increasingly commercialized, resulting in a massive boom in the cultural and entertainment industries. This evolution has also brought about fundamental changes in media behaviour and communication, and the enormous growth of entertainment culture and the extensive penetration of new media into the everyday lives of Chinese people. Against the backdrop of the rapid development of China’s media industry and the huge growth in social media, this book explores the emotional content and public discourse of popular media in contemporary China. It examines the production and consumption of blockbuster films, television dramas, entertainment television shows, and their corresponding online audience responses, and describes the affective articulations generated by cultural and media texts, audiences and social contexts. Crucially, this book focuses on the agency of audiences in consuming these media products, and the affective communications taking place in this process in order to address how and why popular culture and entertainment programs exert so much power over mass audiences in China. Indeed, Shuyu Kong shows how Chinese people have sought to make sense of the dramatic historical changes of the past three decades through their engagement with popular media, and how this process has created a cultural public sphere where social communication and public discourse can be launched and debated in aesthetic and emotional terms. Based on case studies that range from television drama to blockbuster films, and reality television programmes to social media sites, this book will be of great interest to students and scholars of Chinese culture and society, media and communication studies, film studies and television studies.
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Literature, Film, and Intellectual Discourse in Postsocialist China

Author: Haomin Gong

Publisher: University of Hawaii Press

ISBN: N.A

Category: History

Page: 192

View: 565

This book makes a significant contribution to the burgeoning field of Chinese studies as well as the study of uneven development in general.
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The Struggle of Chinese Journalists in the Reform Era

Author: Allison Liu Jernow

Publisher: N.A

ISBN: N.A

Category: Press and politics

Page: 99

View: 493

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Political and Cultural Interventions

Author: Jie Lu,Ban Wang

Publisher: Lexington Books

ISBN: 0739165186

Category: Political Science

Page: 290

View: 3583

The first English anthology on China’s New Left in a global context, this book presents the history, background, and the focuses of the most critical force in contemporary China. Well-versed in Chinese history and its global connections, the writers provide well documented and insightful perspectives on China’s pursuit of a path radically different from capitalist globalization.
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Local Language in Contemporary Chinese Media

Author: Edward M. Gunn

Publisher: University of Hawaii Press

ISBN: 9780824828837

Category: Literary Criticism

Page: 261

View: 8145

For centuries the sub-national languages of China have been a fundamental feature in daily life and popular culture, while a standardized form of Mandarin has been adopted as the language of the state (including education). Suppressed during powerful movements to establish a modern, national culture, these local languages or dialects have nevertheless survived, and their resurgence in the media and literature has caused tensions to surface. Concerns for education, law, and commerce have all promoted a standard national language, yet, at the same time, as local societies have undergone massive transformations, the need to re-imagine communities has repeatedly challenged the adequacy of a single language to represent them. Moreover, local languages have been presented in dramatically different and conflicted roles--as symbols of the failure to assimilate to a cultural mainstream (which in turn may be parodied as contingent and inadequate) or asserting the identity of a community as a site of its own cultural production and not merely as a venue for transmitting a national culture. Acknowledging local language as authentic may also reveal cultural hegemonies within regions and contested versions of communities. This ground-breaking study surveys in detail the sweep of local languages in television, radio, film, and print culture of late twentieth-century mainland China, especially Beijing, Shanghai, Chongqing and Chengdu, Hong Kong, and Taiwan. Focusing on these regions, the analysis contrasts and compares these distinct communities to each other and to the ways in which they mediate culture as a national institution. It draws on a wide range of critical, cultural, and media studies and explores how varied genres
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On Contemporary Chinese Culture

Author: Geremie R. Barmé

Publisher: Columbia University Press

ISBN: 9780231502450

Category: History

Page: 224

View: 2307

China, Geremie R. Barmé notes, has become one of the greatest writing and publishing nations on the planet, and both cultural activists and the state are embroiled in debates about the production and distribution of its cultural products. But what happens when global culture and Chinese capitalist-socialism meet in the marketplace? In the Redinvestigates what goes on behind the rhetoric of the official Chinese government and the dissident community and provides a unique perspective on mainstream Western perceptions of cultural developments, artistic freedom, and popular lifestyles in China today. Illustrated with fascinating cartoons and photographs and rich with facts, anecdotes, and events, In the Red exposes the complex relationship between "official" culture (produced, supported, or sanctioned by the government) and "nonofficial" or countercultures (especially among urban youths and dissidents). Two key and contrasting events loom large in this narrative: the 1989 protests that ended with the June 4 massacre and a nationwide purge, and Deng Xiaoping's 1992 "tour of the south," in which he emphasized the need for radical economic reform. Although a level of political tolerance has evolved since the 1970s, Barmé sheds light on the significance of the intermittent denunciations of artists, ideas, and works.
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Cinema and Moving Image Culture for the Twenty-First Century

Author: Matthew D. Johnson,Keith B. Wagner,Kiki Tianqi Yu,Luke Vulpiani

Publisher: Bloomsbury Publishing USA

ISBN: 1623568471

Category: Performing Arts

Page: 368

View: 3153

This innovative collection of essays on twenty-first century Chinese cinema and moving image culture features contributions from an international community of scholars, critics, and practitioners. Taken together, their perspectives make a compelling case that the past decade has witnessed a radical transformation of conventional notions of cinema. Following China's accession to the WTO in 2001, personal and collective experiences of changing social conditions have added new dimensions to the increasingly diverse Sinophone media landscape, and provided a novel complement to the existing edifice of blockbusters, documentaries, and auteur culture. The numerous 'iGeneration' productions and practices examined in this volume include 3D and IMAX films, experimental documentaries, animation, visual aides-mémoires, and works of pirated pastiche. Together, they bear witness to the emergence of a new Chinese cinema characterized by digital and, trans-media representational strategies, the blurring of private/public distinctions, and dynamic reinterpretations of the very notion of 'cinema' itself.
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Gender and Nation in a Century of Chinese Cinema

Author: Shuqin Cui

Publisher: University of Hawaii Press

ISBN: 9780824825324

Category: Performing Arts

Page: 304

View: 1753

"Women Through the Lens will appeal to scholars and students in the fields of film, gender, and Asian studies, and to general readers interested in Chinese cinema."--Jacket.
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Author: Lu Xiao 肖魯

Publisher: Hong Kong University Press

ISBN: 988802812X

Category: Fiction

Page: 224

View: 5833

"What forces continue to oppress and restrain women artists in contemporary China? Some powerful answers are provided in this fictional memoir of Xiao Lu, who played an important role in the avant-garde cultural scene during the tumultuous early months of 1989. The acclaimed "China/AvantGarde" exhibition organized by Gao Minglu at the National Art Museum in Beijing was shut down after about three hours from its opening Feb. 5 1989, when Xiao Lu shot live bullets into her mock-up of two telephone booths, turning an edgy installation work into an over-the-edge performance piece and an icon of the modern Chinese art movement. Many questions were left unanswered from where she got the gun to what she meant by all this. As it turns out, the man and the woman pictured in these two phone booths were specific people, and she was one of them the daughter of the director of a provincial art academy. Her father helped her get into the Central Academy in Beijing, where she was abused in various ways. In the 1989 exhibition, symbolically, she shot her nemesis, then went outside to a public telephone, called him, and told him what she had done. These events are naturally at the center of her memoir, but in describing the events and their aftermath, she offers remarkably candid views on the difficulties facing women in contemporary art circles and the way cultural power is exercised in China."--Publisher description.
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die filmischen Metamorphosen des Zhang Yimou

Author: Stefanie Rauscher

Publisher: N.A

ISBN: N.A

Category: Motion picture producers and directors

Page: 173

View: 7080

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The Inside Story of China's Past, Current and Future Leaders

Author: Robert Lawrence Kuhn

Publisher: John Wiley & Sons

ISBN: 1118104250

Category: Business & Economics

Page: 576

View: 3575

A fascinating look at China now and in the years to come, through the eyes of those at the helm As China continues its rapid ascent, attention is turning to its leaders, who they are, and how they view the country's incredible transformation over the last thirty years. In How China's Leaders Think: The Inside Story of China's Past, Current and Future Leaders, Revised, bestselling author Lawrence Kuhn goes directly to the source, talking with members of China's ruling party and examining recently declassified Party material to provide readers with an intimate look at China's leaders and leadership structure, visionary principles, and convulsive past, and tracing the nation's reform efforts. Focusing on President Hu Jintao's philosophies and policies, the book looks to the next generation of China's leaders to ask the questions on everyone's lips. Who are China's future leaders? How do they view China's place in the world? Confronting China's leaders head on, Kuhn asks about the county's many problem, from economic imbalances to unsustainable development, to find out if there's a road map for change. Presenting the thoughts of key Chinese leaders on everything from media, military, banking, and healthcare to film, the Internet, science and technology, and much more, the book paints an intimate, candid portrayal of how China's leaders really think. Presents a fascinating insight into how China's leaders think about their country and where it's headed Asks the tough questions about China's need for reform Pulls together information from over 100 personal interviews as well as recently declassified Party documents Taking readers closer to Party officials than ever before, How China's Leaders Think documents China's thirty-year struggle toward economic and social reform, and what's to come.
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Technologies and Temporalities in Chinese Screen Cultures

Author: Olivia Khoo,Sean Metzger

Publisher: Intellect Books

ISBN: 184150274X

Category: Performing Arts

Page: 292

View: 8224

"With the burgeoning interest in Chinese film, this interdisciplinary collection investigates how new technologies, changing production constraints and shifting viewing practices have shaped perceptions of Chinese screen cultures. Futures of Chinese Cinema contains essays by international scholars considering new directions in Chinese cinema. After the devastation of the economic crisis, the uncertainty of the Hong Kong handover and the events at Tiananmen Square in 1989, the late twentieth century and beyond has seen the emergence of a number of fresh new works from the region's film-makers. For the first time, scholars from film studies, media studies, history and sociology have been brought together in their focus on the concepts of technology and temporality in these films."--P. [4] of cover.
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Chinese Cinema and Society at the Turn of the Twenty-First Century

Author: Zhen Zhang

Publisher: Duke University Press

ISBN: 9780822340744

Category: Performing Arts

Page: 447

View: 3288

DIVAn anthology that explores film works by the "urban generation,"--filmmakers who operate outside of "mainstream" (officially sanctioned) Chinese cinema -- whose impact has been enormous./div
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Capital, Culture, and Marxist Critique

Author: Jyotsna Kapur,Keith B. Wagner

Publisher: Routledge

ISBN: 1136701478

Category: Social Science

Page: 370

View: 4153

In cinema studies today, rarely do we find a direct investigation into the culture of capitalism and how it has been refracted and fabricated in global cinema production under neoliberalism. However, the current economic crisis and the subsequent Wall Street bailout in 2008 have brought about a worldwide skepticism regarding the last four decades of economic restructuring and the culture that has accompanied it. In this edited volume, an international ensemble of scholars looks at neoliberalism, both as culture and political economy, in the various cinemas of the world. In essays encompassing the cinemas of Asia, Africa, Latin America, Europe, and the United States the authors outline how the culture and subjectivities engendered by neoliberalism have been variously performed, contested, and reinforced in these cinemas. The premise of this book is that the cultural and economic logic of neoliberalism, i.e., the radical financialization and market-driven calculations, of all facets of society are symptoms best understood by Marxist theory and its analysis of the central antagonisms and contradictions of capital. Taking a variety of approaches, ranging from political economy, ideological critique, the intersection of aesthetics and politics, social history and critical-cultural theory, this volume offers a fresh, broad-based Marxist analysis of contemporary film/media. Topics include: the global albeit antagonistic nature of neoliberal culture; the search for a new aesthetic and documentary language; the contestation between labor and capital in cultural producion; the political economy of hollywood, and questions of gender, sexuality, and the nation state in relation to neoliberalism.
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In the Age of Environmental Challenge

Author: Sheldon H. Lu,Jiayan Mi

Publisher: Hong Kong University Press

ISBN: 9622090869

Category: Social Science

Page: 384

View: 5152

This anthology is a book-length study of China's ecosystem through the lens of cinema. Proposing 'ecocinema' as a new critical framework, the volume collectively investigates a wide range of urgent topics in today's world.
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