Author: Melissa Barden Dowling
Publisher: University of Michigan Press
This book explores the formation of clemency as a human and social value in the Roman Empire.
Refigurations of Masculinity in Luke-Acts
Author: Brittany E. Wilson
Publisher: Oxford University Press
New Testament scholars typically assume that the men who pervade the pages of Luke's two volumes are models of an implied "manliness." Scholars rarely question how Lukan men measure up to ancient masculine mores, even though masculinity is increasingly becoming a topic of inquiry in the field of New Testament and its related disciplines. Drawing especially from gender-critical work in classics, Brittany Wilson addresses this lacuna by examining key male characters in Luke-Acts in relation to constructions of masculinity in the Greco-Roman world. Of all Luke's male characters, Wilson maintains that four in particular problematize elite masculine norms: namely, Zechariah (the father of John the Baptist), the Ethiopian eunuch, Paul, and, above all, Jesus. She further explains that these men do not protect their bodily boundaries nor do they embody corporeal control, two interrelated male gender norms. Indeed, Zechariah loses his ability to speak, the Ethiopian eunuch is castrated, Paul loses his ability to see, and Jesus is put to death on the cross. With these bodily "violations," Wilson argues, Luke points to the all-powerful nature of God and in the process reconfigures--or refigures--men's own claims to power. Luke, however, not only refigures the so-called prerogative of male power, but he refigures the parameters of power itself. According to Luke, God provides an alternative construal of power in the figure of Jesus and thus redefines what it means to be masculine. Thus, for Luke, "real" men look manifestly unmanly. Wilson's findings in Unmanly Men will shatter long-held assumptions in scholarly circles and beyond about gendered interpretations of the New Testament, and how they can be used to understand the roles of the Bible's key characters.
Author: Hans-Friedrich Mueller
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Eduard Gibbon
Publisher: BoD – Books on Demand
Das ber hmte Werk Eduard Gibbons ber den Verfall und Untergang des R mischen Reichs, 4. Teil. Nachdruck des Originals von 1805.
Author: William Shakespeare
Publisher: BoD – Books on Demand
William Shakespeare: Titus Andronicus Erstmals ins Deutsche übersetzt von Johann Joachim Eschenburg (1777). Die vorliegende Übersetzung stammt von Wolf Graf Baudissin. Erstdruck in: Shakspeare's dramatische Werke. Übersetzt von August Wilhelm Schlegel. Ergänzt und erläutert von Ludwig Tieck, Bd. 6, Berlin (Georg Andreas Reimer) 1831. Vollständige Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2015. Textgrundlage ist die Ausgabe: William Shakespeare: Sämtliche Werke in vier Bänden. Band 4, Herausgegeben von Anselm Schlösser. Berlin: Aufbau, 1975. Die Paginierung obiger Ausgabe wird in dieser Neuausgabe als Marginalie zeilengenau mitgeführt. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Ferdinand Bol, Titus Manlius Torquatus, 1663. Gesetzt aus Minion Pro, 11 pt.
Author: Edward Gibbon
Publisher: Modern Library
Edited, abridged, and with a critical Foreword by Hans-Friedrich Mueller Introduction by Daniel J. Boorstin Illustrations by Giovanni Battista Piranesi Edward Gibbon’s masterpiece, which narrates the history of the Roman Empire from the second century A.D. to its collapse in the west in the fifth century and in the east in the fifteenth century, is widely considered the greatest work of history ever written. This abridgment retains the full scope of the original, but in a breadth comparable to a novel. Casual readers now have access to the full sweep of Gibbon’s narrative, while instructors and students have a volume that can be read in a single term. This unique edition emphasizes elements ignored in all other abridgments—in particular the role of religion in the empire and the rise of Islam.
A.D. 180 to A.D. 395 (A Modern Library E-Book)
Author: Edward Gibbon
Publisher: Modern Library
'It was at Rome, on the 15th of October 1764, as I sat musing amid the ruins of the capitol, while the barefooted friars were singing vespers in the temple of Jupiter, that the idea of writing the decline and fall of the city first started to my mind,' recorded Edward Gibbon with characteristic exactitude. Over a period of some twenty years, the luminous eighteenth-century historian--a precise, dapper, idiosyncratic little gentleman famous for rapping his snuff-box--devoted his considerable genius to writing an epic chronicle of the entire Roman Empire's decline. His single flash of inspiration produced what is arguably the greatest historical work in any language--and surely the most magnificent narrative history ever written in English. 'Gibbon is one of those few who hold as high a place in the history of literature as in the roll of great historians,' noted Professor J.B. Bury, his most celebrated editor. This three-volume Modern Library edition of The Decline and Fall of the Roman Empire--with Gibbon's notes--is edited with a general introduction and index by Bury, along with an introduction by Pulitzer Prize-winning historian Daniel J. Boorstin. The Volumes are illstrated with reproductions of etchings by Gian Battista Piranesi. The first volume contains chapters one through twenty-six of The Decline and fall of the Roman Empire.
Author: Edward Gibbon
Publisher: Cosimo, Inc.
The History of the Decline and Fall of the Roman Empire is Edward Gibbon's magnum opus, written and published over a 13-year period beginning in 1776. It not only chronicles the events of the downfall starting with the end of the rule of Marcus Aurelius, but proposes a theory as to why Rome collapsed: the populace, Gibbon theorizes, lost its moral fortitude, its militaristic will, and its sense of civic duty. History is considered a classic in world literature, and Gibbon is sometimes called the first "modern historian" for his insistence upon using primary sources for his research. Many scholars today still use his highly regarded work as reference. In this third of seven volumes, readers will find Chapter 25 ("Reigns of Jovian and Valentinian, Division of the Empire") through Chapter 35 ("Invasion by Attila"), which cover the rules of Jovian, Valentinian, Valens, Gratian, Theodosius, Arcadius, Honorius, Eutropius, and Valentinian III; wars in Germany, Britain, Africa, and Persia; the Gothic War in 376; the conversion of Rome; the revolt of the Goths; the numerous sackings of Rome by the Goths and Charles V; revolutions in Gaul and Spain; the life of Saint John Chrysostom; the life of Empress Eudocia; the progress of the Vandals in Africa; and the invasion of the Roman Empire by Attila the Hun. English parliamentarian and historian EDWARD GIBBON (1737-1794) attended Magdelan College, Oxford for 14 months before his father sent him to Lausanne, Switzerland, where he continued his education. He published Essai sur l'tude de la Littrature (1761) and other autobiographical works, including Mmoire Justificatif pour servir de Rponse l'Expos, etc. de la Cour de France (1779).
Author: Yuval Noah Harari
Krone der Schöpfung? Vor 100 000 Jahren war der Homo sapiens noch ein unbedeutendes Tier, das unauffällig in einem abgelegenen Winkel des afrikanischen Kontinents lebte. Unsere Vorfahren teilten sich den Planeten mit mindestens fünf weiteren menschlichen Spezies, und die Rolle, die sie im Ökosystem spielten, war nicht größer als die von Gorillas, Libellen oder Quallen. Vor 70 000 Jahren dann vollzog sich ein mysteriöser und rascher Wandel mit dem Homo sapiens, und es war vor allem die Beschaffenheit seines Gehirns, die ihn zum Herren des Planeten und zum Schrecken des Ökosystems werden ließ. Bis heute hat sich diese Vorherrschaft stetig zugespitzt: Der Mensch hat die Fähigkeit zu schöpferischem und zu zerstörerischem Handeln wie kein anderes Lebewesen. Anschaulich, unterhaltsam und stellenweise hochkomisch zeichnet Yuval Harari die Geschichte des Menschen nach und zeigt alle großen, aber auch alle ambivalenten Momente unserer Menschwerdung.
A Heretical History of Our Time
Author: Michael Antony
Category: Literary Criticism
Now that the Twentieth Century is behind us what made it what it was? 200 million human beings killed by war, totalitarianism, and extermination programs What made the twentieth century the most murderous age in human history, as well as the age that made the greatest advances ever in science and technology, while art and serious music declined into abstraction, non-communication, and grotesque hoaxes-blank canvases, old urinals, cans of excrement, and concertos consisting of four minutes of silence? This book argues that the century was marked by an over-masculinization of the Western mind, leading to autism and psychopathic aggression, and the eclipse of the feminine, expressive, emotional, empathetic side of human nature. Hence the unprecedented culture of total war and genocide, and the totalitarian projects to raze the human past and start again-which Modernism carried out in the arts. Hence also the masculinization of sexual behavior (as romance gave way to pornography, and marriage to promiscuity), the adoption by women of a male work role, the decline of motherhood and family, and the collapse of Western birthrates. This is all traced back to the rise of two aggressive, ultra-masculine ideologies in the nineteenth century, Darwinism and Marxism (which gave birth to Fascism and Feminism.) These ideologies put violence, conflict and aggression at the heart of life, and changed human mentalities. This book examines these developments through the literature and art of the past hundred and fifty years, and discusses their implications for the future of Western Civilization.