An Introduction

Author: Timothy Corrigan,Patricia White

Publisher: Macmillan

ISBN: 0312681704

Category: Language Arts & Disciplines

Page: 518

View: 5178

The Film Experience is a comprehensive introduction to film that recognizes students as movie fans while surpassing all other texts in helping them understand the art form’s full scope. Noted scholars and teachers Tim Corrigan and Patricia White capture the complete film experience, situating their strong coverage of the medium’s formal elements within the larger cultural contexts that inform the ways we all watch film—from economics and exhibition to marketing and the star system. A host of learning tools gives students the support they need to make the transition from movie fan to critical viewer. Now with a sharper focus that highlights the essential formal and cultural concepts of cinema, and a powerful new suite of video and media, The Film Experience is the consummate introductory film text. Read the preface.
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An Introduction

Author: Timothy Corrigan,Patricia White

Publisher: Macmillan Higher Education

ISBN: 1457685833

Category: Language Arts & Disciplines

Page: 544

View: 7730

In our culture, watching movies is a universal experience but understanding film may not be. The Film Experience reaches out to students, connecting their experiences watching movies with better understanding and knowledge of the medium's full scope. Timothy Corrigan and Patricia Whites classroom favorite is both authoritative and joyful about watching, analyzing, and understanding film. With clips from classic and contemporary films (Rear Window, Life of Pi, Moonrise Kingdom, Chinatown, and many others) plus hundreds of movie images and other graphics, the thoroughly revised new edition covers everything from editing to cinematography to narrative genres, all in a cultural context that reinforces why films and film study matter. The book's featuresForm in Action, Film in Focus, and Concepts at Work combine text, stills, and links to videos online to explore specific films, scenes, and trends in depth.
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An Introduction

Author: Timothy Corrigan,Patricia White

Publisher: Macmillan

ISBN: 9780312255664

Category: Performing Arts

Page: 547

View: 7145

The Film Experience is the only text to combine a serious, comprehensive approach to the study of film with a practical and engaging style. This dynamic text discusses form and technique within historical and cultural contexts and makes the connection between how film techniques work and how they shape a film's many possible meanings.The Film Experience meets students where they are as avid movie fans and then moves them toward becoming critical viewers and writers.
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An Introduction

Author: Timothy Corrigan,Patricia White

Publisher: Macmillan Higher Education

ISBN: 1319093566

Category: Performing Arts

Page: N.A

View: 6689

The Film Experience is a comprehensive introduction to film that recognizes students as movie fans while surpassing all other texts in helping them understand the art form's full scope. Noted scholars and teachers Tim Corrigan and Patricia White capture the complete film experience, situating their strong coverage of the medium's formal elements within the larger cultural contexts that inform the ways we all watch film--from economics and exhibition to marketing and the star system. A host of learning tools gives students the support they need to make the transition from movie fan to critical viewer. Now with a sharper focus that highlights the essential formal and cultural concepts of cinema, and a powerful new suite of video and media, The Film Experience is the consummate introductory film text. Read the preface.
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Author: Timothy Corrigan,Patricia White,Meta Mazaj

Publisher: Bedford/St. Martin's

ISBN: 9780312446345

Category: Language Arts & Disciplines

Page: 1200

View: 5824

Critical Visions in Film Theory is a new book for a new generation, embracing groundbreaking approaches in the field without ignoring the history of classical film theory. The study of film theory has changed dramatically over the past 30 years with innovative ways of looking at classic debates in areas like film form, genre, and authorship, as well as exciting new conversations on such topics as race, gender and sexuality, and new media. Until now, no film theory anthology has stepped forward to represent this broader, more inclusive perspective. Critical Visions also provides the best guidance for students, giving them the context and the tools they need to critically engage with theory and apply it to their film experiences.
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An Introduction to Film Studies

Author: Bill Nichols

Publisher: W. W. Norton & Company

ISBN: 0393934918

Category: Performing Arts

Page: 545

View: 7537

In what ways do films influence and interact with society? What social forces determine the kinds of movies that get made? How do movies reinforce—and sometimes overturn—social norms? As societies evolve, do the films that were once considered ‘great’ slip into obscurity? Which ones? Why? These questions, and many others like them, represent the mainstream of scholarly film studies today. In Engaging Cinema, Bill Nichols offers the first book for introductory film students that tackles these topics head-on. Published in a handy 'trade paperback' format, Engaging Cinema is inexpensive and utterly unique in the field—a perfect complement to or replacement for standard film texts.
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The Key Concepts

Author: Susan Hayward

Publisher: Routledge

ISBN: 131721479X

Category: Performing Arts

Page: 616

View: 9827

Cinema Studies: The Key Concepts is essential reading for anyone interested in film. Providing accessible coverage of a comprehensive range of genres, movements, theories and production terms, this is a must-have guide to a fascinating area of study and arguably the greatest art form of modern times. Now fully revised and updated for its fifth edition, the book includes entries on topics such as: Acting Audience CGI Convergence Cult cinema Digitisation and globalization Distribution Experimental film Transnational cinema World cinemas
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Author: Linda Badley,R. Barton Palmer,Steven Jay Schneider

Publisher: Rutgers University Press

ISBN: 9780813538747

Category: Performing Arts

Page: 266

View: 9929

Traditions in World Cinema brings together a colorful and wide ranging collection of world cinematic traditions-national, regional, and global-all of which are in need of introduction, investigation and, in some cases, critical reassessment. The movements described range from well-known traditions such as German expressionism, Italian neorealism, French, British, and Czech new wave, and new Hollywood cinema to those of emerging significance, such as Danish Dogma, postcommunist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-independence African film traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi pian melodrama, Japanese horror, and global found-footage cinema. The essays, all written by recognized experts in the field, are jargon free and accessible to both general readers and students. In addition, each chapter is followed by a list of suggested films and readings, offering readers pathways to further viewing and study. Bringing fresh insights to those movements that have provided significant and noteworthy alternatives to Hollywood, this book is an essential introduction to the rich diversity of world cinema. Linda Badley is a professor of English at Middle Tennessee State University. R. Barton Palmer is Calhoun-Lemon Professor of Literature at Clemson University in South Carolina. Steven Jay Schneider is an adjunct lecturer in the department of media culture at the City University of New York. Contributors: Roy Armes Nitzan Ben-Shaul Peter Bondanella Corey Creekmur Adrian Danks Peter Hames Robert Kolker Myrto Konstantarakos Randal Johnson Jay McRoy Toby Miller Negar Mottahedeh Richard Neupert Christina Stojanova J. P. Telotte Stephen Teo
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An Introduction through the Senses

Author: Thomas Elsaesser,Malte Hagener

Publisher: Routledge

ISBN: 1317581156

Category: Social Science

Page: 238

View: 8624

What is the relationship between cinema and spectator? This is the key question for film theory, and one that Thomas Elsaesser and Malte Hagener put at the center of their insightful and engaging book, now revised from its popular first edition. Every kind of cinema (and every film theory) first imagines an ideal spectator, and then maps certain dynamic interactions between the screen and the spectator’s mind, body and senses. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from its beginnings to the present—from neo-realist and modernist theories to psychoanalytic, ‘apparatus,’ phenomenological and cognitivist theories, and including recent cross-overs with philosophy and neurology. This new and updated edition of Film Theory: An Introduction through the Senses has been extensively revised and rewritten throughout, incorporating discussion of contemporary films like Her and Gravity, and including a greatly expanded final chapter, which brings film theory fully into the digital age.
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An Introduction to Christianity

Author: Michael Molloy

Publisher: Bloomsbury Publishing

ISBN: 1472582845

Category: Religion

Page: 528

View: 8698

How do we study Christian life and thought? How have political and cultural events influenced the experiences of Christians in different places, at different times? How has the world's largest religion been lived in varied parts of the world? The Christian Experience is the first textbook to unite traditional approaches to Christianity with special attention to art, music, architecture, and lived experiences. The material, individual, and personal sides of Christianity are brought to the fore throughout this chronological survey. Every chapter begins with a "first encounter" in order to bring the subject matter to life for students, mirroring the author's approach in his successful book Experiencing the World's Religions. This book on Christianity features over 100 color images, maps, and diagrams, and each chapter ends by pointing to additional print and electronic resources. Michael Molloy considers practices, insights, and artistic creations of Christians across the centuries. The book shows how Christian belief is being practiced in our own time, and it invites readers to imagine how Christianity might evolve in the future.
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An Introduction to the Art of Narrative Film Technique

Author: Marilyn Fabe

Publisher: Univ of California Press

ISBN: 0520279972

Category: Performing Arts

Page: 312

View: 6127

How do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch. Ranging from D. W. Griffith's The Birth of a Nation to James Cameron’s Avatar, and ending with an epilogue on digital media, Closely Watched Films focuses on exemplary works of fourteen film directors whose careers together span the history of the narrative film. Lively and down-to-earth, this concise introduction provides a broad, complete, and yet specific picture of visual narrative techniques that will increase readers' excitement about and knowledge of the possibilities of the film medium. Shot-by-shot analyses of short passages from each film ground theory in concrete examples. Fabe includes original and well-informed discussions of Soviet montage, realism and expressionism in film form, classical and modern sound theory, the classic Hollywood film, Italian neorealism, the French New Wave, auteur theory, modernism and postmodernism in film, political cinema, feminist film theory and practice, and narrative experiments in new digital media. Encompassing the earliest silent films as well as those that exploit the most recent technological innovations, this book gives us the particulars of how film—arguably the most influential of contemporary forms of representation—constitutes our pleasure, influences our thoughts, and informs our daily reality. Updated to include a discussion of 3-D and advanced special effects, this tenth anniversary edition is an essential film studies text for students and professors alike.
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Designing the Invisible

Author: Lara Penin

Publisher: Bloomsbury Publishing

ISBN: 1350031917

Category: Design

Page: 192

View: 3646

A comprehensive introduction to designing services according to the needs of the customer or participants, this book addresses a new and emerging field of design and the disciplines that feed and result from it. Despite its intrinsic multidisciplinarity, service design is a new specialization of design in its own right. Responding to the challenges of and providing holisitic, creative and innovative solutions to increasingly complex contemporary societies, service design now represents an integrative and advanced culture of design. All over the world new design studios are defining their practice as service design while long established design and innovation consultancies are increasingly embracing service design as a key capacity within their offering. Divided into two parts to allow for specific reader requirements, Service Design starts by focusing on main service design concepts and critical aspects. Part II offers a methodological overview and practical tools for the service design learner, and highlights fundamental capacities the service design student must master. Combined with a number of interviews and case studies from leading service designers, this is a comprehensive, informative exploration of this exciting new area of design.
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An Introduction

Author: Robert Stam

Publisher: John Wiley & Sons

ISBN: 1119491576

Category: Performing Arts

Page: 392

View: 8479

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An Introduction

Author: Boukary Sawadogo

Publisher: Routledge

ISBN: 0429668589

Category: Performing Arts

Page: 142

View: 5646

African Film Studies: An Introduction is an accessible and authoritative textbook on African cinema as a field of study. The book provides a succinct and comprehensive study of the history, aesthetics, and theory of sub-Saharan African cinematic productions that is grounded in the field of film studies instead of textual interpretations from other disciplines. Bringing African cinema out of the margins into the discipline of mainstream film studies and showcasing the diverse cinematic expressions of the continent, the book covers: Overview of African cinema(s): Questions our assumptions about the continent’s cinematic productions and defines the characteristics of African cinema across linguistic, geographic, and filmic divides. History of African and African-American cinema: Spans the history of film in Africa from colonial import and ‘appropriation of the gaze’ to the quest for individuality. It also establishes parallels in the historical development of black African cinema and African-American cinema. Aesthetics: Introduces new research on previously unexplored aesthetic dimensions such as cinematography, animation, and film music. Theoretical Approaches: Addresses a number of theoretical approaches and critical frameworks developed by scholars in the study of African cinema All chapters include case studies, suggestions for further reading, and screening lists to deepen the reader’s knowledge with no prior knowledge of African cinema required. Students, teachers, and general film enthusiasts would all benefit from this accessible and engaging book.
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An Introduction and Reader

Author: Timothy Corrigan

Publisher: N.A

ISBN: N.A

Category: Performing Arts

Page: 374

View: 9557

This book is a wide-ranging introduction to the long history and provocative debates about the interactions between film and literature. KEY TOPICS: Film and Literature: A Reader presents essays from a variety of cultures that address the major issues in the exchange between film and literature since the beginning of the twentieth century. The book provides landmark discussions of different genres and practices (such as poetry and movies or film scripts as literature) through writings by such figures as Vachel Lindsay, Walter Benjamin, and Alexander Astruc. It presents a concise, but detailed history of film and literature and the critical terms and techniques used in film and literary analysis as well as a detailed history of the bond between film and literature, from theatrical narratives of the silent film era to recent blockbuster adaptations of Shakespeare and Jane Austen. It also features introductions to each essay and suggests how the essays may be used to analyze works involving film and literature. An essential resource for every reader interested in film.
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From Langmuir--Blodgett to Self--Assembly

Author: Abraham Ulman

Publisher: Academic Press

ISBN: 0080926312

Category: Technology & Engineering

Page: 442

View: 6396

The development of oriented organic monomolecular layers by the Langmuir-Blodgett (LB) and self-assembly (SA) techniques has led researchers toward their goal of assembling individual molecules into highly ordered architectures. Thus the continually growing contribution of LB and SA systems to the chemistry and physics of thin organic films is widely recognized. Equally well-known is the difficulty in keeping up to date with the burgeoning multidisciplinary research in this area. Dr. Ulman provides a massive survey of the available literature. The book begins with a section on analytical tools to broaden the understanding of the structure and properties of monolayers and films. Following sections discuss LB films, the preparation and properties of SA monolayers and films, the modeling of LB and SA monolayers, and the application of LB and SA films.
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An Introduction to Music Psychology

Author: Donald A. Hodges,David C. Sebald

Publisher: N.A

ISBN: 9780415881869

Category: Education

Page: 439

View: 9942

CD-ROM contains interactive tutorials to accompany book.
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Projecting Contemporary Feminisms

Author: Patricia White

Publisher: Duke University Press

ISBN: 0822376016

Category: Performing Arts

Page: 280

View: 4094

In Women’s Cinema, World Cinema, Patricia White explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these young directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies. Extending formal analysis to the production and reception contexts of a variety of feature films, White explores how women filmmakers are both implicated in and critique gendered concepts of authorship, taste, genre, national identity, and human rights. Women’s Cinema, World Cinema revitalizes feminist film studies as it argues for an alternative vision of global media culture.
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People, Politics, and Power

Author: Jenn Brandt

Publisher: Bloomsbury Publishing USA

ISBN: 1501320572

Category: Social Science

Page: 288

View: 8651

The first introductory textbook to situate popular culture studies in the United States as an academic discipline with its own history and approach to examining American culture, its rituals, beliefs, and the objects that shape its existence.
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