An Improbable Story of Survival and Love

Author: John Lipscomb (Adult child of alcoholics),Adrianne Lugo

Publisher: Health Communications, Inc.

ISBN: 0757319939

Category: Self-Help

Page: 328

View: 4759

Growing up more than a thousand miles apart and worlds away from each other, Johnny and Adrianne seemed to have all that children could ask for. Born into a Great-Gatsby-like party, old-money wealth and privilege defined Johnny's childhood in Ladue, Missouri--the Beverly Hills of St. Louis. Born addicted to heroin in New York City, Adrianne was placed as an infant with loving, middle-class Jewish foster parents on Long Island. However, the demons of their respective biological mothers would eventually tear their fragile young lives apart as told in this compelling tandem narrative. Eventually, destiny would bring Johnny and Adrianne together, but first they had to endure the painful toll that alcohol, drugs, and a negligent court system would take on them. With parts of Adrianne's story ripped from national news headlines, their journeys take them for the depths of despair and near death to their first serendipitous introduction and the moment each knew they were finally safe. Filled with hope, inspiration, and humor, The Painting and the Piano is an unforgettable story of pain, loss, and the undying human quest for happiness.
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Author: James Leggio

Publisher: Routledge

ISBN: 1135669627

Category: Music

Page: 270

View: 6301

Music and Modern Art adopts an interdisciplinary approach to the relationship between these two fields of creative endeavor.
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Author: George Bent

Publisher: Cambridge University Press

ISBN: 1316810720

Category: Art

Page: N.A

View: 8277

Street corners, guild halls, government offices, and confraternity centers contained paintings that made the city of Florence a visual jewel at precisely the time of its emergence as an international cultural leader. This book considers the paintings that were made specifically for consideration by lay viewers, as well as the way they could have been interpreted by audiences who approached them with specific perspectives. Their belief in the power of images, their understanding of the persuasiveness of pictures, and their acceptance of the utterly vital role that art could play as a propagator of civic, corporate, and individual identity made lay viewers keenly aware of the paintings in their midst. Those pictures affirmed the piety of the people for whom they were made in an age of social and political upheaval, as the city experimented with an imperfect form of republicanism that often failed to adhere to its declared aspirations.
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Author: Richard Curt Kraus

Publisher: Oxford University Press

ISBN: 0199912947

Category: History

Page: 152

View: 2135

China's decade-long Great Proletarian Cultural Revolution shook the politics of China and the world. Even as we approach its fiftieth anniversary, the movement remains so contentious that the Chinese Communist Party still forbids fully open investigation of its origins, development, and conclusion. Drawing upon a vital trove of scholarship, memoirs, and popular culture, this Very Short Introduction illuminates this complex, often obscure, and still controversial movement. Moving beyond the figure of Mao Zedong, Richard Curt Kraus links Beijing's elite politics to broader aspects of society and culture, highlighting many changes in daily life, employment, and the economy. Kraus also situates this very nationalist outburst of Chinese radicalism within a global context, showing that the Cultural Revolution was mirrored in the radical youth movement that swept much of the world, and that had imagined or emotional links to China's red guards. Yet it was also during the Cultural Revolution that China and the United States tempered their long hostility, one of the innovations in this period that sowed the seeds for China's subsequent decades of spectacular economic growth.
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The Vibrating Interplay of Sound, Color, Image, Gesture, Movement, Rhythm, Fragrance, Word, Touch

Author: M. Kronegger

Publisher: Springer Science & Business Media

ISBN: 9401734119

Category: Philosophy

Page: 476

View: 9881

Regardless of the subject matter, our studies are always searching for a sense of the universal in the specific. Drawing, etchings and paintings are a way of communicating ideas and emotions. The key word here is to communicate. Whether the audience sees the work as laborious or poetic depends on the creative genius of the artist. Some painters use the play of light passing through a landscape or washing over a figure to create an evocative moment that will be both timeless and transitory. The essential role of art remains what is has always been, a way of human expression. This is the role that our participants concentrate on as they discuss art as the expression of the spirit, a creative act through which the artist makes manifest what is within him. Spirit suggests the unity of feeling and thought. Avoiding broad generalities, our participants address specific areas in orchestration with music, architecture, literature and phenomenology. Profs. Souiller, Scholz, Etlin, Sweetser, Josephs show us at what point art is an intimate, profound expression and the magic of a civilization as a whole, springing from its evolving thoughts and embodying ideals, such as the Renaissance, the Baroque, Modernism and at what point it reflects the trans formation of a particular society and its mode of life.
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Whistler, Menpes, Henry, Hornel and nineteenth-century Japan

Author: Ayako Ono

Publisher: Routledge

ISBN: 1136625100

Category: History

Page: 272

View: 1523

Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme. This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular: the American James McNeill Whistler, the Australian Mortimer Menpes, and the 'Glasgow boys' George Henry and Edward Atkinson Hornel. Japonisme in Britian is richly illustrated throughout.
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Author: N.A

Publisher: N.A

ISBN: N.A

Category:

Page: N.A

View: 320

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The New Jazz Studies

Author: Professor of English and African-American Studies Robert O'Meally,Robert G. O'Meally,Brent Hayes Edwards,Farah Jasmine Griffin

Publisher: Columbia University Press

ISBN: 9780231123518

Category: Literary Criticism

Page: 427

View: 4250

'Uptown Conversation' asserts that jazz is not only a music to define, it is a culture. The essays illustrate how for more than a century jazz has initiated a call and response across art forms, geographies, and cultures, inspiring musicians, filmmakers, painters and poets.
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Author: Jacquetta Wyse

Publisher: Xlibris Corporation

ISBN: 1441575510

Category: Fiction

Page: 255

View: 7901

Kenitra McKenzie lives in Austin with her husband, Caleb and their five year old son, Seth. She is an active member of her church along with her devoted husband and life was a blessed one, but there looms a darkness in the form of Calebs best friend Dalton Anders. He has resents her ever since she met Caleb in college and even more when their relationship blossoms into marriage. He goes out of his way to undermine their marriage in anyway possible and despite the many chances Caleb gives him to make amends, but it didnt seem to do any good. Caleb is forced to end his longtime friendship with Dalton for the sake of his marriage and to shield his son from the godly behavior Dalton portrays in view of his son. The decision Caleb makes didnt set too well with Dalton and vows in his heart to somehow get even with the woman who destroyed his friendship with Caleb, but first he had to make it appear he no longer has any resentment toward Kenitra. It is during Seths sixth birthday party that he arranges an air show to set his revenge in motion. Kenitra is devastated when Dalton maliciously murders her beloved husband and his supposedly godson in front of her. He looks at her without any remorse and leaves her for dead after shooting her, but his brutal attempt to kill her fails. He is convicted of murder as well as attempted murder. Kenitra tries to put the pieces of her shattered life back together, but it is nearly impossible when her mother in law constantly blames her for their deaths when they were her life. She began to blame God for all that has happened since He is big enough to have stopped it from ever happening in the first place. Her best friend, Stephanie, who is also Calebs sister, only reminds her of what didnt have any longer. She feels like she has nothing left after this tragedy and turns her back on Most High God and runs from everything that reminds her of the life she once had. Kenitra didnt care about anything or anyone after that and traveled from one place to another till she settles in England. She lives there for years before being led to move to Kennebunk Beach, ME where she meets a teenager named Mercedes Branden after converting an abandoned bar into a health food caf. Mercedes lands a job working for her and introduces her brother the first day of her new job. Philip, a pastor, is immediately drawn to her and soon discovers Kenitra is agnostic and doesnt believe in God, but has no idea she would later become the woman of his dream. Kenitra didnt have any intentions of falling for anyone especially someone like Philip since she resents his religious beliefs, but in time her feelings for him changes and much to her surprise she marries Philip 18 months later. The moral is love does heal a broken heart when God is doing the healing so trust Him with all of your problems because He has the answers.
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Poet of the Piano

Author: Walter Aaron Clark

Publisher: Oxford University Press

ISBN: 0199910529

Category: Music

Page: 304

View: 3420

Enrique Granados (1867-1916) is one of the most compelling figures of the late-Romantic period in music. During his return voyage to Spain after the premiere of his opera Goyescas at New York's Metropolitan Opera in 1916, a German submarine torpedoed the ship on which he and his wife were sailing, and they perished in the waters of the English Channel. His death was mourned on both sides of the Atlantic as a stunning loss to the music world, for he had died at the pinnacle of his career, and his late works held the promise of greater things to come. Granados was among the leading pianists of his time, and his eloquence at the keyboard inspired critics to dub him the "poet of the piano." In Enrique Granados: Poet of the Piano, Walter Aaron Clark offers the first substantive study in English of this virtuoso pianist, composer, and music pedagogue. While providing detailed analyses of his major works for voice, piano, and the stage, Clark argues that Granados's art represented a unifying presence on the cultural landscape of Spain during a period of imperial decline, political unrest, and economic transformation. Drawing on newly discovered documents, Clark explores the cultural spheres in which Granados moved, particularly of Castile and Catalonia. Granados's best-known music was inspired by the art of Francisco Goya, especially the Goyescas suite for solo piano that became the basis for the opera. These pieces evoked the colorful and dramatic world that Goya inhabited and depicted in his art. Granados's fascination with Goya's Madrid set him apart from fellow nationalists Alb?niz and Falla, who drew their principal inspiration from Andalusia. Though he was resolutely apolitical, Granados's attraction to Castile antagonized some Catalan nationalists, who resented Castilian domination. Yet Granados also made important contributions to Catalan musical theater and was a prominent figure in the modernist movement in Barcelona. Clark also explores the personal pressures that shaped Granados's music. His passionate affair with a wealthy socialite created domestic tensions, but it was also a source of inspiration for Goyescas. Persistent financial difficulties forced him to devote time to teaching at the expense of composition, though as a result Granados made considerable contributions to piano pedagogy and music education in Barcelona through the music academy he founded there. While Granados's tragic and early demise casts a pall over his life story, Clark ultimately reveals an artist of remarkable versatility and individuality and sheds new light on his enduring significance.
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500 Years of Papal Portraiture

Author: Aa.Vv.

Publisher: Gangemi Editore Spa

ISBN: 8849258763

Category: Art

Page: 226

View: 2889

The exhibition entitled “Papi in Posa,” i.e., “Papal Portraiture,” with the highly refined and historically significant Braschi Palace – home of the Museum of Rome – in 2004, and now in Washington, The John Paul II Center, is not offered only as an excellent exposition of masterpieces from major international museums – such as the Vatican Museums – and prestigious private collections, but stands out in particular because it is one of the most important expositions of portrait painting ever because of both the outstanding quality and the considerable number of paintings and sculptures offered – executed by Europe's leading artists from the last five centuries – and the great spiritual and social significance of the personages portrayed: the greatest Pontiffs who from the 16th century to the present have sat in the Chair of Saint Peter. It is suggestive to observe, as we scan the unique artistic itinerary offered by the curators of the exhibition, how through the succession of historical periods and particularly by virtue of the esthetic verve and inner sensitivity of the artists, the description of the human person was oriented, with extreme plastic ductility and acuity in their perception of their subjects' physiognomy, to represent not only the body lines of the subject being depicted but, in particular, the most intimate traits of the heart, the lively mobility of their thought, the innermost lines of the subject's character, in an intense dialogue of chiaroscuro observations from which the characterizing notes of complex personages are evinced – persons who appear completely clear and evident only to those who are capable of sublimating their outward appearance into an acute observation. From this prestigious gallery of portraits it emerges unmistakably how the anthropocentric path of human thought has manifestly reverberated within the bounds of the figurative arts through a progressive contextualization, which sees the subject represented unbound through a metatemporal aura of rarefied abstraction and placed, naturalistically, in a precise and well defined spatiotemporal sphere. At the same time, we witness a gradual definition of the personage portrayed as the bearer of a clear personal connotation – the self and the identity, which seem to be invisible and thus impossible to represent – no longer, hortatively, as an idealized and metaphoric emblem of absolute values in deference to a markedly ethical and pedagogical conception. The exhibited works, which rightfully range themselves among the most outstanding expressions of portraiture, reveal a deep spiritual harmony evocative of beauty and unleash a lively dialogue with the onlooker based on a real and inherent economy of the act of viewing, albeit freed from the exercise of a psychologism oriented toward uncontrollable wanderings. The reception of the meaning of the formal systems – thoughtful poses and attitudes – involves, to be sure, the active presence of the spectator in a sort of visual dialogue with the portrait that is not considered exclusively as a fixed commemorative system but rather as an interactive structure. In the perspective of the reception, the observer becomes a fundamental element for the construction of the meaning of the image that, from this very private perspective, undergoes obvious momentous transformations. Observer and image thus become integral parts of a fascinating system of visual exchange not unlike the mechanisms of verbal dialogue: both members of the “pair” take on contemporaneously the dual role of subject/object, restructuring the complex relational web established in a rapport between an “I” and a “you.” Beyond the temporal contingencies, each portrait is recounted and seduces us through the universal language of fame: this incarnates, deeply, the artist's attempt to describe the personality of the subjects portrayed, consigning the multiform essence of their nature to one attitude or to a single expression by resorting to a refined psychological introspection in an attempt to render visually the subject's inner world. It is owing to the above considerations that, while I applaud the felicitous initiative of giving life to such a culturally transcendent exhibition, I would wish that all those who will have the pleasure of visiting it or at least of perusing the pages of this catalogue will be able to perceive the portraits of the individual popes not as so many freestanding elements, but rather as integrated parts of a related set of men who, albeit struggling with the many and varied anxieties of everyday life, endeavored to serve Christ among their brothers, each one with a clear perception of himself as servo servorum Dei – the servant of God's servants! Through looks, attitudes and symbols committed by the artist in a well-constructed iconographic code to the pictorial or sculptural page, the discerning observer cannot help but grasp a veiled spiritual harmony that reflects the profound mystery of faith and propagates an echo of the ineffable beauty of God, revealing how, through art, man – pulled between the eternal and the transient – strives to draw close to his Creator. Francesco Cardinal Marchisano Vicar General of the Pope for the State of Vatican City
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Author: Fayeq Oweis

Publisher: ABC-CLIO

ISBN: 9780313337307

Category: Art

Page: 306

View: 2650

Presents around one hundred Arab American artists, including painters, calligraphers, and filmmakers.
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Author: David Hodgson

Publisher: Oxford University Press

ISBN: 0190208600

Category: Philosophy

Page: 288

View: 2306

In recent years, philosophical discussions of free will have focused largely on whether or not free will is compatible with determinism. In this challenging book, David Hodgson takes a fresh approach to the question of free will, contending that close consideration of human rationality and human consciousness shows that together they give us free will, in a robust and indeterministic sense. In particular, they give us the capacity to respond appositely to feature-rich gestalts of conscious experiences, in ways that are not wholly determined by laws of nature or computational rules. The author contends that this approach is consistent with what science tells us about the world; and he considers its implications for our responsibility for our own conduct, for the role of retribution in criminal punishment, and for the place of human beings in the wider scheme of things. Praise for David Hodgson's previous work, The Mind Matters "magisterial...It is balanced, extraordinarily thorough and scrupulously fair-minded; and it is written in clear, straightforward, accessible prose." --Michael Lockwood, Times Literary Supplement "an excellent contribution to the literature. It is well written, authoritative, and wonderfully wide-ranging. ... This account of quantum theory ... will surely be of great value. ... On the front cover of the paper edition of this book Paul Davies is quoted as saying that this is "a truly splendid and provocative book". In writing this review I have allowed myself to be provoked, but I am happy to close by giving my endorsement to this verdict in its entirety!" --Euan Squires, Journal of Consciousness Studies "well argued and extremely important book." --Sheena Meredith, New Scientist "His reconstructions and explanations are always concise and clear." --Jeffrey A Barrett, The Philosophical Review "In this large-scale and ambitious work Hodgson attacks a modern orthodoxy. Both its proponents and its opponents will find it compelling reading." --J. R. Lucas, Merton College, Oxford
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My Weekend on Death Row

Author: John Lipscomb

Publisher: N.A

ISBN: 9781632135261

Category: Biography & Autobiography

Page: 198

View: 7762

A poignant memoir of the author's battles with addiction, and the hope he found spending a weekend with a death row inmate, Jasper. In a single statement, Jasper was able to alter the course of the author's life.
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