Author: Peter Bürger

Publisher: Manchester University Press

ISBN: 9780719014536

Category: Aesthetics

Page: 135

View: 8741

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Author: Renato Poggioli

Publisher: Harvard University Press

ISBN: 9780674882164

Category: Art

Page: 250

View: 7260

Convinced that all aspects of modern culture have been affected by avant-garde art, Poggioli explores the relationship between the avant-garde and civilization. Historical parallels and modern examples from all the arts are used to show how the avant-garde is both symptom and cause of many major extra-aesthetic trends of our time, and that the contemporary avant-garde is the sole and authentic one.
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Modernism, Avant-garde, Decadence, Kitsch, Postmodernism

Author: Matei Călinescu

Publisher: Duke University Press

ISBN: 9780822307679

Category: Architecture

Page: 395

View: 2824

Five Faces of Modernity is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: modernity, avant-garde, decadence, kitsch, and postmodernism. The concept of modernity—the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours—is a relatively recent Western invention and one whose time may already have passed, if we believe its postmodern challengers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value judgments, conflicting orientations, and intellectual paradoxes to which it has given rise. Five Faces of Modernity attempts to do for the foundations of the modernist critical lexicon what earlier terminological studies have done for such complex categories as classicism, baroque, romanticism, realism, or symbolism and thereby fill a gap in literary scholarship. On another, more ambitious level, Calinescu deals at length with the larger issues, dilemmas, ideological tensions, and perplexities brought about by the assertion of modernity.
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Anti-art in Avant-garde Drama

Author: David Graver

Publisher: University of Michigan Press

ISBN: 9780472105076

Category: Art

Page: 253

View: 6765

Explores interconnections among early 20th-century visual, literary, and performance art
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The Infantilist Aesthetic of the Russian Avant-Garde

Author: Sara Pankenier Weld

Publisher: Northwestern University Press

ISBN: 0810129841

Category: Literary Criticism

Page: 303

View: 8314

Voiceless Vanguard: The Infantilist Aesthetic of the Russian Avant-Garde offers a new approach to the Russian avant-garde. It argues that central writers, artists, and theorists of the avant-garde self-consciously used an infantile aesthetic, as inspired by children’s art, language, perspective, and logic, to accomplish the artistic renewal they were seeking in literature, theory, and art. It treats the influence of children’s drawings on the Neo-Primitivist art of Mikhail Larionov, the role of children’s language in the Cubo-Futurist poetics of Aleksei Kruchenykh, the role of the naive perspective in the Formalist theory of Viktor Shklovsky, and the place of children’s logic and lore in Daniil Kharms’s absurdist writings for children and adults. This interdisciplinary and cultural study not only illuminates a rich period in Russian culture but also offers implications for modernism in a wider Western context, where similar principles apply.
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Modernism, Expressionism, and the Problem of Postmodernity

Author: Richard John Murphy

Publisher: Cambridge University Press

ISBN: 9780521648691

Category: Literary Criticism

Page: 325

View: 3463

In Modernism, Expressionism and Theories of the Avant Garde, Richard Murphy mobilises theories of the postmodern to challenge our understanding of the avant-garde. He assesses the importance of the avant-garde for contemporary culture and for the debates among theorists of postmodernism such as Jameson, Eagleton, Lyotard and Habermas. Murphy reconsiders the classic formulation of the avant-garde in Lukacs and Bloch, especially their discussion of aesthetic autonomy, and investigates the relationship between art and politics via a discussion of Marcuse, Adorno and Benjamin. Combining close textual readings of a wide range of films as well as works of literature, it draws on a rich array of critical theories, such as those of Bakhtin, Todorov, MacCabe, Belsey and Raymond Williams. This interdisciplinary project will appeal to all those interested in modernist and avant-garde movements of the early twentieth century, and provides a critical rethinking of the present-day controversy regarding postmodernity.
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Author: Peter Bürger

Publisher: Penn State Press

ISBN: 9780271008905

Category: Philosophy

Page: 189

View: 2792

In this book, the author addresses the relationship between art and society, from the emergence of bourgeois culture in the eighteenth century to the decline of modernism in the twentieth century.
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Author: Peter B_rger,Christa B_rger

Publisher: U of Nebraska Press

ISBN: 9780803212237

Category: Literary Criticism

Page: 169

View: 7732

Art has been an umbrella term for poetry; music, dance, sculpture painting, and architecture since the end of the eighteenth century, when the bourgeoisie were establishing their hegemony over culture and politics in Germany, labor was becoming more clearly divided, and religion was losing its unifying force. Art became a broad and separate entity as the expectations and experience of it changed. The Institutions of Art concentrates on German and French literature in illustrating the formation of aesthetic autonomy and the divergence between high and popular culture. Peter B_rger builds on his earlier Theory of the Avant-Garde (1984), pushing further into key theoretical questions about art and society. Christa B_rger extends the critique to the history of the novel, focusing on Goethe and Kleist. Looking backward to feudalism and forward to our century, the authors show how the function of art has changed along with the criteria for its production and evaluation.
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A Casebook from Kleist to Camus

Author: Bert Cardullo

Publisher: Rowman & Littlefield

ISBN: 0810887045

Category: Performing Arts

Page: 185

View: 6484

In this collection of essays by avant-garde theatre's most creative practitioners—directors, playwrights, performers, and designers—these writings provide direct access to the thinking behind much of the most stimulating playwriting and performance of the late nineteenth and twentieth centuries.
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Author: Astradur Eysteinsson

Publisher: Cornell University Press

ISBN: 9780801480775

Category: Literary Criticism

Page: 265

View: 5249

The term "modernism" is central to any discussion of twentieth-century literature and critical theory. Astradur Eysteinsson here maintains that the concept of modernism does not emerge directly from the literature it subsumes, but is in fact a product of critical practices relating to nontraditional literature. Intervening in these practices, and correlating them with modernist works and with modern literary theory, Eysteinsson undertakes a comprehensive reexamination of the idea of modernism.
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Author: Roni Grén

Publisher: Routledge

ISBN: 1351671723

Category: Art

Page: 164

View: 5500

This book examines the importance of the animal in modern art theory, using classic texts of modern aesthetics and texts written by modern artists to explore the influence of the human-animal relationship on nineteenth and twentieth century artists and art theorists. The book is unique due to its focus on the concept of the animal, rather than on images of animals, and it aims towards a theoretical account of the connections between the notions of art and animality in the modern age. Roni Grén’s book spans various disciplines, such as art theory, art history, animal studies, modernism, postmodernism, posthumanism, philosophy, and aesthetics.
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The Early Manifestations

Author: Gregory Betts

Publisher: University of Toronto Press

ISBN: 1442643773

Category: Art

Page: 310

View: 9749

In Avant-Garde Canadian Literature, Gregory Betts draws attention to the fact that the avant-garde has had a presence in Canada long before the country's literary histories have recognized, and that the radicalism of avant-garde art has been sabotaged by pedestrian terms of engagement by the Canadian media, the public, and the literary critics. This book presents a rich body of evidence to illustrate the extent to which Canadians have been producing avant-garde art since the start of the twentieth century. Betts explores the radical literary ambitions and achievements of three different nodes of avant-garde literary activity: mystical revolutionaries from the 1910s to the 1930s; Surrealists/Automatists from the 1920s to the 1960s; and Canadian Vorticists from the 1920s to the 1970s. Avant-Garde Canadian Literature offers an entrance into the vocabulary of the ongoing and primarily international debate surrounding the idea of avant-gardism, providing readers with a functional vocabulary for discussing some of the most hermetic and yet energetic literature ever produced in this country.
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Body, Image, and Space in the Historical Avant-Gardes

Author: Gabriele Brandstetter

Publisher: Oxford University Press, USA

ISBN: 0199916578

Category: Performing Arts

Page: 432

View: 2216

When it was first published in Germany in 1995, Poetics of Dance was already seen as a path-breaking publication, the first to explore the relationships between the birth of modern dance, new developments in the visual arts, and the renewal of literature and drama in the form of avant-garde theatrical and movement productions of the early twentieth-century. Author Gabriele Brandstetter established in this book not only a relation between dance and critical theory, but in fact a full interdisciplinary methodology that quickly found foothold with other areas of research within dance studies. The book looks at dance at the beginnings of the 20th century, the time during which modern dance first began to make its radical departure from the aesthetics of classical ballet. Brandstetter traces modern dance's connection to new innovations and trends in visual and literary arts to argue that modern dance is in fact the preeminent symbol of modernity. As Brandstetter demonstrates, the aesthetic renewal of dance vocabulary which was pursued by modern dancers on both sides of the Atlantic - Isadora Duncan and Loie Fuller, Valeska Gert and Oskar Schlemmer, Vaslav Nijinsky and Michel Fokine - unfurled itself in new ideas about gender and subjectivity in the arts more generally, thus reflecting the modern experience of life and the self-understanding of the individual as an individual. As a whole, the book makes an important contribution to the theory of modernity.
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Modernism, Mass Culture, Postmodernism

Author: Andreas Huyssen

Publisher: Indiana University Press

ISBN: 9780253203991

Category: Art

Page: 244

View: 7466

"One of the most comprehensive and intelligent postmodern critics of art and literature, Huyssen collects here a series of his essays on pomo... " —Village Voice Literary Supplement "... his work remains alert to the problematic relationship obtaining between marxisms and poststructuralisms." —American Literary History "... challenging and astute." —World Literature Today "Huyssen's level-headed account of this controversial constellation of critical voices brings welcome clarification to today's murky haze of cultural discussion and proves definitively that commentary from the tradition of the German Left has an indispensable role to play in contemporary criticism." —The German Quarterly "... we will certainly have, after reading this book, a deeper understanding of the forces that have led up to the present and of the possibilities still open to us." —Critical Texts "... a rich, multifaceted study." —The Year's Work in English Studies Huyssen argues that postmodernism cannot be regarded as a radical break with the past, as it is deeply indebted to that other trend within the culture of modernity—the historical avant-garde.
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Author: George Alexander Kennedy,A. Walton Litz

Publisher: Cambridge University Press

ISBN: 9780521300124

Category: Literary Criticism

Page: 576

View: 6235

This volume of The Cambridge History of Literary Criticism, first published in 2000, provides a thorough account of the critical tradition emerging with the modernist and avant-garde writers of the early twentieth century (Eliot, Pound, Stein, Yeats), continuing with the New Critics (Richards, Empson, Burke, Winters), and feeding into the influential work of Leavis, Trilling and others who helped form the modern institutions of literary culture. The core period covered is 1910–60, but explicit connections are made with nineteenth-century traditions and there is discussion of the implications of modernism and the New Criticism for our own time, with its inherited formalism, anti-sentimentalism, and astringency of tone. The book provides a companion to the other twentieth-century volumes of The Cambridge History of Literary Criticism, and offers a systematic and stimulating coverage of the development of the key literary-critical movements, with chapters on groups and genres as well as on individual critics.
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The Avant-garde at the End of the Century

Author: Hal Foster

Publisher: MIT Press

ISBN: 9780262561075

Category: Art

Page: 299

View: 9833

Foster's concise analysis of art practices over the past three decades traces important models at work in art and theory, with special attention to the controversial connections between the two during this period. The author includes a new narrative of the historical avant-garde and concludes with an original reading of our contemporary situation--and what it portends for future practices of art, theory, culture, and politics. 90 illustrations.
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Performance and Textuality

Author: James Martin Harding

Publisher: University of Michigan Press

ISBN: 9780472067275

Category: Literary Criticism

Page: 301

View: 4238

A critical history of avant-garde performance and the problematic relationship of text to performance
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the theory and politics of tradition

Author: Josephine M. Guy

Publisher: N.A

ISBN: N.A

Category: Literary Criticism

Page: 176

View: 366

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Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement

Author: Mike Sell

Publisher: University of Michigan Press

ISBN: 0472033077

Category: Performing Arts

Page: 327

View: 3107

Avant-Garde Performance and the Limits of Criticism looks at the American avant-garde during the Cold War period, focusing on the interrelated questions of performance practices, cultural resistance, and the politics of criticism and scholarship in the U.S. counterculture. This groundbreaking book examines the role of the scholar and critic in the cultural struggles of radical artists and reveals how avant-garde performance identifies the very limits of critical consideration. It also explores the popularization of the avant-garde: how formerly subversive art is eventually discovered by the mass media, is gobbled up by the marketplace, and finds its way onto the syllabi of college and university courses. This book is a timely and significant book that will appeal to those interested in avant-garde literary criticism, theater history, and performance studies.
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New Territories of Modernism

Author: Sanja Bahun-Radunovic,Marinos Pourgouris

Publisher: Cambridge Scholars Publishing

ISBN: 1443806315

Category: Art

Page: 203

View: 5464

The collection of essays The Avant-garde and the Margin: New Territories of the Modernist Avant-garde refigures the critical and historical picture of the modernist avant-garde by introducing a variety of less-commonly discussed geo-artistic sites and dynamics. The contributors explore the multifaceted relations established between the avant-garde “centers” (France, Germany, England, and others) and their counterparts in the cultural “periphery” (Greece, India, Japan, Poland, Quebec, Romania, and the former Yugoslavia), as well as the unique artistic and literary dialogues which these encounters engendered. The primary concern of the anthology is the set of relations established between the center and the margin, the redefinition of which was pivotal for the formulation of the modernist avant-garde aesthetic project itself. While enriching the kaleidoscopic picture of modernism, the essays in this collection also offer new methodological approaches to this polychrome cultural image. In this way, the collection avoids the pitfalls of both the traditional diffusionist/Eurocentric model of the world and the more recent over-relativization of the positions of the margin and the center. In their stead, the anthology proposes a hermeneutics of encounter that is simultaneously “spatial” and “historical,” aware of its limits but convinced of its own necessity.
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