Author: Christopher Tanfield

Publisher: Bloomsbury Publishing

ISBN: 1474266118

Category: Literary Criticism

Page: 128

View: 1666

This is the OCR-endorsed publication from Bloomsbury for the Latin A-Level (Group 4) prescription of Virgil's Aeneid X, giving full Latin text, commentary and vocabulary for lines 215–250, 260–307, 362–398 and 426–542. A detailed introduction covers the prescribed text to be read in English for A Level. In Book X, the story moves from a council of the gods, via a depiction of Aeneas's return by sea to his beleaguered Trojan camp, to a bloody field of battle. We see Aeneas for the first time as a heroic warrior, but also afflicted by the searing pain of loss as the young son of his new ally, entrusted to him by his father, is killed. Aeneas is for now cheated of his revenge, a revenge which is the preoccupation of the rest of the poem. He does, however, slay the son of a champion of the opposition and then the champion himself, in scenes which re-emphasise that pain. The heart of the book, where Aeneas and his allies join the fray, constitutes the OCR selection. It is an immensely powerful confrontation between violence and compassion, cruelty and nobility.
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Author: Keith Maclennan

Publisher: Bloomsbury Publishing

ISBN: 1474271936

Category: Literary Criticism

Page: 128

View: 3379

This is the endorsed publication from OCR and Bloomsbury for the Latin AS and A-level (Group 3) prescription of Virgil's Aeneid VIII, giving full Latin text, commentary and vocabulary for lines 86?279 and 558?584, along with a detailed introduction. Book VIII of the Aeneid is remarkable for the diversity of its subject matter. Aeneas travels upriver to the site where Rome will be founded. He meets King Evander, who tells him the dramatic story of Hercules and Cacus and shows him round 'Rome' before it is Rome. Aeneas' mother makes new armour for him and at the end of the book we see him brandishing the shield whose centrepiece is the triumph of Augustus. The OCR selection focuses on Evander and Hercules, and concludes with the fatal moment when Aeneas takes Evander's son Pallas to war. Its vivid narrative, human characters and larger-than-life heroes and villains are compelling reading.
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Author: Eliot Maunder

Publisher: Bloomsbury Publishing

ISBN: 1474266088

Category: Literary Criticism

Page: 128

View: 934

This is the OCR-endorsed publication from Bloomsbury for the Latin A-Level (Group 2) prescription of Seneca's Letters, giving full Latin text, commentary and vocabulary for Letters 51, 53 and 57, with a detailed introduction that also covers the prescribed text to be read in English. The most enduringly popular of his works, the Letters are an ideal introduction to both the personal philosophy and the vibrant Latin of Seneca. He writes with wit and modesty to his friend Lucilius about his own, daily struggle to live up to the ideals of Stoicism. Over the course of this selection he covers a great variety of topics including the Stoics' perennial conflict with Fortune, the corrupting influence of a bad environment and the irrational nature of most fear. Composed not long before his own suicide, the Letters also provide an important insight into Seneca's views on death and immortality.
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Author: John Godwin

Publisher: Bloomsbury Publishing

ISBN: 147426591X

Category: Literary Criticism

Page: 128

View: 4584

This is the OCR-endorsed publication from Bloomsbury for the Latin A-Level (Group 4) prescription of Ovid's Heroides, giving full Latin text, commentary and vocabulary for Heroides VI, lines 1–100 and 127–64, and X, lines 1–76 and 119–50. A detailed introduction covers the prescribed text to be read in English, placing the poems in their Roman literary context. The heroines of the Heroides are women in love who can do nothing but write sad verse letters to their faithless lovers across the sea. They tell their stories and express their feelings in poetry of great power and psychological subtlety. Hypsipyle (in VI) and Ariadne (in X) are feminists before feminism, royal ladies who are slaves to their passion – these women are given a voice by Ovid in poetry which is at once simple and sophisticated, heartfelt and yet also full of irony and literary resonance.
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Author: Robert West,Lynn Fotheringham

Publisher: Bloomsbury Publishing

ISBN: 1474266207

Category: Literary Criticism

Page: 176

View: 5457

This is the OCR-endorsed publication from Bloomsbury for the Latin AS and A-Level (Group 1) prescription of Cicero's pro Milone sections 24Â?32, 34Â?35 and 43Â?52, and the A-Level (Group 2) prescription of sections 53Â?64 (to defendere) and 72Â?80, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed text to be read in English for A Level. The death of Publius Clodius and the prosecution of Milo for his murder came at a critical point in the history of the late Republic, with Civil War and the collapse of the Republic only three years away. In his passionate defence of Milo, Cicero pleads for the rule of law as a vital counterweight to the anarchy that the gangs of Clodius, and Milo, had created. The published speech was regarded as a masterpiece of oratory in its own time, and is still held to be one of his finest compositions and a model for the presentation of such a defence.
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Author: Christopher Tanfield

Publisher: Bloomsbury Publishing

ISBN: 1350010243

Category: Literary Criticism

Page: 192

View: 5577

This is the endorsed publication from OCR and Bloomsbury for the Latin AS and A-Level (Group 1) prescription of Cicero's Philippic II sections 44–50 (… viri tui similis esses) and 78 (C. Caesari ex Hispania redeunti…)–92, and the A-Level (Group 2) prescription of sections 100–119, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed text to be read in English for A Level. It is 44 BC. Following Caesar's assassination, his supporters are looking for a new leader. Caesar's deputy, Antony, and the 18-year-old Octavian, the future Augustus, are vying with each other to fill the role; each seems more concerned with personal power than the good of Rome. Cicero returns to the city to try to save it with the one weapon at his disposal: his oratory. In this speech, the longest of the Philippics (so-called after a series of speeches made against Philip of Macedon), Cicero starts by defending his own career and then – the part we read - demolishes Antony's. A masterpiece of invective, it ensures Antony's bitter hostility and Cicero's eventual elimination. Resources are available on the Companion Website www.bloomsbury.com/ocr-editions-2019-2021
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Author: Katharine Radice,Roland Mayer

Publisher: Bloomsbury Publishing

ISBN: 1474265995

Category: Literary Criticism

Page: 176

View: 9487

This is the OCR-endorsed publication from Bloomsbury for the Latin AS and A-Level (Group 1) prescription of Annals Book I sections 16–30 and the A-Level (Group 2) prescription of Annals Book I sections 3–7, 11–14 and 46–49, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed text to be read in English for A Level. Annals I starts with the death of Augustus and the beginning of Tiberius' principate. Tacitus chronicles the uneasy and unprecedented transition from one to the other, in the context of a political elite shaken by years of civil war and unsure as to how best to protect their own interests and the stability Augustus had brought to Rome. With damning references to the servile nature of the new regime, Tacitus vividly paints scenes of confused senatorial debates, and Tiberius' own uncertainty over his own position and the best decisions to make. Opportunistic rebellions in the army are described with dramatic brilliance.
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A Guide through Roman History

Author: Mathew Owen

Publisher: Bloomsbury Publishing

ISBN: 1474269176

Category: Literary Criticism

Page: 352

View: 3156

This volume is designed to accompany the OCR A-Level specification in Latin (first teaching September 2016), with practice unseen passages from Livy, the set prose for Paper 1, together with passages from a selection of other writers to support Paper 2, for which no author is set. A bank of 80 passages aims to take Sixth Form students from the level of heavily adapted post-GCSE ('AS'-equivalent) passages and develop their knowledge and skills to reach A-Level standard. But this is not just a book of unseen passages: there is a chronological progression through the unseens in order to give the reader a sense of the narrative of Roman history, exploring key events through the words of original texts. Every passage begins with an introduction, outlining the basic content of the passage, followed by a 'lead-in' sentence, paraphrasing the few lines before the passage begins. Part 1 passages are straight translation exercises on the model of the A-Level Paper 1. They also feature, however, a 'Discendum' box, highlighting a facet of Latin prose with which students may not be familiar, or extension questions on grammar and style. Part 2 passages are accompanied by questions on comprehension, translation and grammar, replicating the demands of Paper 2 in full. An extensive word list is provided in the form of checklists which build the reader's knowledge of the most commonly occurring words and phrases in Latin prose. The passages are punctuated with discussions of Roman history during the periods covered in the passages, and a comprehensive introduction includes portraits of the authors featured in the book, as well as grammatical reminders to help readers deal with both the trickier elements of unseen prose and with A-Level grammatical analysis questions.
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Author: S. J. Harrison

Publisher: Oxford University Press

ISBN: 0198150962

Category: Literary Criticism

Page: 304

View: 5835

Vergil's Aeneid was written in twelve books in the last years of the poet's life (29-19 BC). It was designed as a national epic of Rome and is one of the greatest poems of world literature. The tenth book, which contains some of the poem's most dramatic war-narrative, has been unjustly neglected by Vergilian scholars, and this is the first major commentary to deal exclusively with it. Its aim is to explain Vergil's text for the modern reader. A full introduction examines the literary aspects of Aeneid 10; the scholarly commentary assesses Vergil's skill as a Latin poet and his careful and original use of literary models (especially the Iliad of Homer). There is also some discussion of the major interpretational problems of the Aeneid raised in Book 10. The Latin text is reproduced from R.A.B. Mynors's edition in the Oxford Classical Texts series. A facing English translation makes the text accessible to those with no knowledge of Latin.
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Author: Anita Nikkanen

Publisher: Bloomsbury Publishing

ISBN: 1474266169

Category: Literary Criticism

Page: 176

View: 1112

This is the OCR-endorsed publication from Bloomsbury for the Latin AS and A-Level (Group 3) prescription of Ovid's Amores 1.1 and 2.5, Propertius 1.1 and Tibullus 1.1 with the A-Level (Group 4) prescription of Ovid's Amores 2.7 and 2.8, Propertius 1.3 and 2.14 and Tibullus 1.3, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed text to be read in English for A Level. Propertius, Tibullus and Ovid are our three main writers of Latin love elegy. The selected poems depict the bitter-sweet love affairs of the poet-lovers and their mistresses, from the heartbreak of rejection to the elation at love reciprocated. While Propertius's and Ovid's setting is the city and their poems show us such details of urbane Roman life as drinking parties and elaborate hair-dressing, Tibullus introduces the idyll of the countryside to the genre. Their sophisticated poems combine intense emotion with wit and irony, and celebrate the life of love and their mistresses, Propertius's Cynthia, Tibullus's Delia and Nemesis, and Ovid's Corinna.
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Author: Ovid

Publisher: Big Nest via PublishDrive

ISBN: 1787240185

Category: Philosophy

Page: 624

View: 5923

The Metamorphoses consists of fifteen books and over 250 myths. The poem chronicles the history of the world from its creation to the deification of Julius Caesar within a loose mythico-historical framework.
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Author: Ashley Carter

Publisher: Bloomsbury Publishing

ISBN: 1472502728

Category: Foreign Language Study

Page: 112

View: 1625

This collection of Latin unseen passages forms a companion volume to Latin Momentum Tests for GCSE, and is intended to be used similarly by students preparing for examinations at AS, A2 and AEA levels. The largest section is set at AS level and comprises prose passages forming a coherent story based on original sources but simplified to maintain a level of difficulty appropriate for this level. The text assumes the student will have a working knowledge of a typical vocabulary list of about 1000 words. Most of the rest of the passages are, with rare exceptions, un-adapted Latin, both prose and verse, taken from the authors used in the examinations. Difficult or rare words are glossed. The last few passages are of a standard of difficulty appropriate to AEA level. All passages are of a similar length and format to those used in the examinations. One sample mark scheme has been included to give teachers and students some insight into how these unseens are marked in the examinations.
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Author: Virgil

Publisher: Cambridge University Press

ISBN: 9780521288064

Category: Juvenile Nonfiction

Page: 160

View: 872

Accessible translations for GCSE students. The translated extracts from Virgil: Selections from the Aeneid, are linked by commentaries which continue the narrative and discuss points in the text needing explanation.
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Stillness and the Moving Image

Author: Laura Mulvey

Publisher: Reaktion Books

ISBN: 9781861892638

Category: Performing Arts

Page: 216

View: 2067

In Death 24 x a Second, Laura Mulvey addresses some of the key questions of film theory, spectatorship and narrative. New media technologies, such as video and DVD, have transformed the way we experience film, and the viewers’ relationship to film image and cinema’s narrative structure has also been fundamentally altered. These technologies give viewers the means to control both image and story, so that films produced to be seen collectively and followed in a linear fashion may be found to contain unexpected (even unintended) pleasures. The tension between the still frame and the moving image coincides with the cinema’s capacity to capture the appearance of life and preserve it after death. Mulvey proposes that with the arrival of new technologies and new ways of experiencing the cinematic image, film’s hidden stillness comes to the fore, thereby acquiring a new accessibility and visibility. The individual frame, the projected film’s best-kept secret, can now be revealed, by anyone, at the simple touch of a button. As Mulvey argues, easy access to repetition, slow motion and the freeze-frame may well shift the spectator’s pleasure to a fetishistic rather than a voyeuristic investment in the cinematic object. The manipulation of the cinematic image by the viewer also makes visible cinema’s material and aesthetic attributes. By exploring how new technologies can give new life to ‘old’ cinema, Death 24 x a Secondoffers an original re-evaluation of film’s history and also its historical usefulness.
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Including the Law of Nature and of Nations

Author: Hugo Grotius

Publisher: N.A

ISBN: N.A

Category: International law

Page: N.A

View: 978

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Author: Francis Cairns

Publisher: Cambridge University Press

ISBN: 9780521353588

Category: History

Page: 280

View: 3650

An examination of the main characters in the Aeneid - Aeneas himself, Dido and Turnus - in the light of Virgil's contemporary Augustan political and literary ideology. The characters and the plot and incident of the epic are seen as embodying and exemplifying first the ancient ideals of kingship and concord, and second the Roman self-identification as at once 'Italian' and 'Trojan', and finally as reflecting the literary self-evaluation of the Augustan age. In the literary area, Virgil's relations with contemporary Roman elegy, with early Greek lyric and, most important, with Homer, are studied and reevaluated. Virgilian scholars and students of Augustan literature in general will find this book of interest to them.
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The Classic Guide to Intelligent Reading

Author: Mortimer J. Adler,Charles Van Doren

Publisher: Simon and Schuster

ISBN: 1476790159

Category: Language Arts & Disciplines

Page: 448

View: 400

Analyzes the art of reading and suggests ways to approach literary works, offering techniques for reading in specific literary genres ranging from fiction, poetry, and plays to scientific and philosophical works.
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Author: C.S. Lewis

Publisher: Atlantic Publishers & Dist

ISBN: 9788126904563

Category: Epic poetry

Page: 152

View: 1071

Since Its Publication In 1942, C.S. Lewis S A Preface To Paradise Lost Has Remained And Continues To Remain An Indispensable Introductory Book For The Study Of Paradise Lost. Very Briefly, But With Remarkable Clarity And Precision, Lewis Touches On All The Important Aspects Of Paradise Lost: Form And Technique, Structure And Texture, Theological Disputes And Characterization Etc. Lewis Believes That A Poem Is A Public Activity Through Which The Poet Intends To Move His Readers. It Is, Therefore, Extremely Important To Know The Intention Of The Poet, To Know What The Poem Is, What It Was Intended To Do And How It Is Meant To Be Used. Accordingly, Lewis Tries To Identify The Originally Intended Meaning Of The Poem In Order To Help The Reader To Have An Access To Milton S Intentions. In The Process, The Elizabethan World Order, The Contemporary Theological Issues, The Differences Between De Doctrina And Paradise Lost, Critical Opinions On Milton S Style, Diction And Characterizations Particularly Satan, Eve, The Angels And Satan S Followers , Are All Brought To Bear On His Discussions In The Preface. The Book Is A Must For Any Student Of Paradise Lost.
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